{"id":1547,"date":"2018-03-27T16:21:23","date_gmt":"2018-03-27T14:21:23","guid":{"rendered":"http:\/\/slamsoft-corp.com\/?p=1547"},"modified":"2018-04-04T13:46:08","modified_gmt":"2018-04-04T11:46:08","slug":"exporter-en-h-264-avec-after-effect","status":"publish","type":"post","link":"https:\/\/slamsoft-corp.com\/index.php\/2018\/03\/27\/exporter-en-h-264-avec-after-effect\/","title":{"rendered":"Exporter en H.264 avec After Effect"},"content":{"rendered":"

Le H.264<\/strong> est une norme de codage vid\u00e9o ainsi qu’une technologie de compression puissante qui s\u2019adapte \u00e0 toutes les plateformes et met la haute d\u00e9finition \u00e0 port\u00e9e de tous.<\/p>\n

Chez slamsOft Corp<\/a>, nous utilisons principalement ce format pour coder nos vid\u00e9os, car il est vraiment passe-partout, propre et tr\u00e8s l\u00e9ger.<\/p>\n

Mais cela fait un certain temps d\u00e9j\u00e0, que le H.264<\/strong> n’apparait plus dans la liste des codecs vid\u00e9o lorsque l’on veut effectuer un export sous After Effect<\/strong>.<\/p>\n

Mais pourquoi n’est-il plus disponible, si c’est si bien???<\/h6>\n

C’est parce qu’Adobe<\/strong> pr\u00e9f\u00e8re que nous utilisions Media Encoder<\/strong>, un autre logiciel.<\/p>\n

\"\"Aaah les p’tits coquins malins mignons tout plein!<\/em><\/p>\n

Du coup on est oblig\u00e9 de changer de soft quand l’on veut coder une vid\u00e9o sous ce format. Et c’est gal\u00e8re! D\u00e9j\u00e0, cela n\u00e9cessite une licence suppl\u00e9mentaire et ensuite Media Encoder<\/strong> est tellement mal foutu que l’importation dans la file d’attente met une plombe… Alors que l’on pourrait faire \u00e7a super vite en lan\u00e7ant le rendu sous After Effect <\/strong>dans le workflow!!!<\/p>\n

Mais tout n’est pas perdu.<\/p>\n

Allez dans:<\/p>\n

-> pr\u00e9f\u00e9rence\r\n\r\n-> sortie\r\n\r\n& cochez \"afficher les formats obsol\u00e8tes<\/em>\".<\/pre>\n
Ainsi H.264<\/strong> qui est tout, sauf \u00ab\u00a0obsol\u00e8te<\/em>\u00ab\u00a0,sera de nouveau disponible. Mais \u00e7a, c’est pour les anciennes versions du logiciel.<\/p>\n
 <\/p>\n
C’est un peu diff\u00e9rent<\/span> sur les versions plus r\u00e9centes d’After Effect<\/strong>, car cette option de cochage n’existe plus.<\/p>\n
Il faut installer QuickTime<\/strong> si vous \u00eates sous windows<\/strong>.<\/p>\n
Apr\u00e9s l’installation d\u00e9marrer After Effect<\/strong> (red\u00e9marez le, si vous l’aviez laiss\u00e9 tourner pendant l’installation de QuickTime<\/em>) et effectuer vos rendus vid\u00e9o avec QuickTime<\/strong>.<\/p>\n
Allez dans votre file d’attente de rendu. Cliquez sur \u00ab\u00a0Non destructif<\/em>\u00a0\u00bb dans votre Module de sortie<\/p>\n
\"\"<\/p>\n
S\u00e9lectionnez le Format QuickTime<\/strong><\/p>\n
\"\"<\/p>\n
Allez ensuite dans les options de format, vous pourrez enfin s\u00e9lectionner le Codec vid\u00e9o H.264<\/strong><\/p>\n
\"\"<\/p>\n
Une fois cela param\u00e9tr\u00e9, lancez votre rendu. Le b\u00e9mol, c’est que vous obtiendrez un fichier en .MOV <\/strong>et pas un MP4<\/strong>… Mais au moins, il sera correctement compress\u00e9 et donc beaucoup, beaucoup, beaucoup moins lourd. De 2 Go, on passe \u00e0 moins de 50 Mo.
\nChez slamsOft Corp<\/a>, on r\u00e9-importe le fichier .MOV<\/strong> obtenu sous Premi\u00e8re Pro<\/strong> pour relancer un rendu en MP4<\/strong>. Mais bon, tout le monde n’a pas forcement la panoplie de logiciels sous la main pour pouvoir faire \u00e7a.<\/p>\n","protected":false},"excerpt":{"rendered":"
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